Director:Peter Jackson
The Lord of The Rings trilogy
had some excellent CG elements
thrown into the mix with
astounding cinematography, but
still used many traditional filmmaking techniques to bring a
very deeply satisfying story to
life. The Hobbit, the prequel to
the epic trilogy has Peter
Jackson use more of the same
methods and techniques, with
one very big difference. The
Hobbit was to be filmed in 48
frames per second (also known
as HFR) using 48 RED Epic cameras which are modified to allow Jackson to shoot
in 3D. Not only that, thanks to the RED cameras, he was also able to shoot the
film in 5K, which is the RED
Epic’s native resolution. If you’re
wondering the kind of storage
need to store the recorded
footage, each camera has a
128GB memory card inside to
record the numerous scenes captured throughout filming.
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